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Game Review: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Examination at 90s Rave Culture

Helmed by Portishead co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

The film is in British and Irish theaters from 17 November.

By

Tyler Morse

A tech journalist with over a decade of experience covering AI, cybersecurity, and emerging technologies across global markets.

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